Pieces shown at La Matadora Gallery’s “Occulted Religion” show in Joshua Tree, California; December 2019
Materials: Resin, broken glass, copper-plated bibis, copper wire, glass crystal, broken glass (picked in 29 Palms), rough quartz (picked in 29 Palms), sand (gathered in 29 Palms), reiki energy
Sacred geometry attributes power to shapes and symbols like the square, circle, and triangle, which in 3D form, become the cube, sphere, and pyramid. The triangle is the alchemical representation of fire, change, transmutation. Occult knowledge allows a skilled practitioner to access personal power through a metaphorical and literal process of burning, changing, and transmuting layers of human experience. Three dimensional, low vibration matter is broken down and changed to allow for fifth dimensional, higher vibration alignment. People are in their power when in alignment with their higher self that is beyond time and space.
Each pyramid holds a portal to a higher dimension. The portal is accessible through the third eye. The land from the southern California desert is rumored to be a stargate to other dimensions; it contains traces of Earth’s fifth dimensional essence. This is why I added it to the pieces. The pyramids are within a square of reiki energy that is within a sphere that is calibrated to the violet flame: the piece is an activator, generator, and transmuter of light for the person who possesses it.
I use pyramids on my altars. My time in the southern California desert has been a pilgrimage that realigned me with a personal power that is rooted in creativity and amplified by a spiritual connection. The desert landscape in southern California has allowed me to spend a lot of time burning, changing, and transmuting layers of ego that had distanced me from my creative process.